From an initial proposition in the form of a simple illustration of a car, labeled as such, a vocabulary of shapes and a grammar of relations between them are established. Visual and written language develop in tandem as increasingly absurd combinations of each transform, combine, and iterate on previous versions. As new elements (descriptors, modifiers, etc.) are introduced, the implications are distributed and explored across the ever-increasing system. Conceived as a by-product of thinking about possibilities of Instagram-art, though this series is portable and more or less context-agnostic.